Broadway credits include I Am My Own Wife (Tony Award, Pulitzer Prize, Drama Desk, Outer Critics Circle Award and others), War Paint, Hands on a Hardbody (Drama Desk nomination), The Little Mermaid, and Grey Gardens (Tony Award nomination). Off-Broadway credits include Posterity (Atlantic Theatre Company); Unwrap Your Candy (Vineyard Theatre); Quills (New York Theatre Workshop); Standing on Ceremony (Minetta Lane Theater); Buzzsaw Berkeley (WPA Theater). His plays and musicals have been seen in over thirty-three countries around the globe. Films include Quills (WGA’s Paul Selvin Award, Golden Globe nomination) and the upcoming The Burial starring Jamie Foxx and Tommy Lee Jones. He is the former president of the Dramatists Guild of America and a member of SAG-AFTRA, SDC and the WGA. He has been a frequent fellow at Yaddo, MacDowell and Ucross. Doug serves on the Board of the New York Theater Workshop and has taught at NYU, Princeton and Yale. He has mentored young screenwriters at Sundance for twenty years. He hails from Texas, and lives in Manhattan with his husband singer-songwriter David Clement, and their cats Glynis and Murray.

Lisa Peterson (Director) is a two-time OBIE Award-winning director. She wrote and directed An Iliad with Denis O’Hare (NYTW, OBIE and Lortel Awards). Directing work includes the world premieres of plays by Tony Kushner (Slavs, NYTW), Beth Henley (Ridiculous Fraud, McCarter), Donald Margulies (Collected Stories, MTC), Naomi Wallace (Trestle at Pope Lick Creek, NYTW), Jose Rivera, Culture Clash, Luis Alfaro, Chay Yew, Miranda Rose Hall and many more. She has directed classic plays at theaters across the country including Arena Stage. Guthrie, Hartford Stage, OSF, Baltimore Center Stage, Seattle Rep, ACT, and South Coast Rep. Lisa was Associate Director at Berkeley Rep for three years, Resident Director at CTG for ten years, and Associate Director at La Jolla Playhouse for three years. She has developed many new plays at the Sundance Theatre Lab, where she served as the Guest Artistic Director in 2019, as well as the O’Neill Playwrights Conference, the Playwrights’ Center, and Ojai Playwrights Conference. She is a recent recipient of the Gordon Davidson Award for Lifetime Achievement. Upcoming projects include The Waves, adapted from Virginia Woolf; The Song of Rome, with Denis O’Hare; and The Idea of Order, inspired by the poetry of Wallace Stevens and written with
Todd Almond.

Rachel Hauck (Set Designer) Broadway credits include How I Learned To Drive, Hadestown; What the Constitution Means to Me and Latin History for Morons. Recent work includes Sandra (Vineyard), The Little Prince (Guthrie), Swept Away; The Waves in Quarantine (Berkeley Rep); The Wrong Man (MCC); The Garden (Baltimore Center Stage, La Jolla Playhouse); Hurricane Diane (NYTW); Othello; Twelfth Night (Public Theatre/Shakespeare in the Park); You’ll Still Call Me By Name (Sonya Tayeh/Jacob’s Pillow). Rachel is the recipient of Princess Grace and Lily Awards; Drama Desk Award and Lortel nominations, an OBIE Award for Sustained Excellence, a Jeff Award for her design of Good Night Oscar, and a Tony Award for her design of Hadestown.

Emilio Sosa (Costume Designer) is the Chair of the American Theatre Wing. His Broadway credits include 1776; A Beautiful Noise: The Neil Diamond Musical; Ain’t No Mo; Trouble in Mind (Tony Nomination); Skeleton Crew; On Your Feet!; Motown: The Musical; Lady Day at Emerson’s Bar and Grill; The Gershwin’s Porgy and Bess (Tony nomination) and Topdog/Underdog. TV and film credits include “Annie Live!” (NBC) and Red Hook Summer (directed by Spike Lee). He is a recipient of the NAACP Theater and Lucille Lortel Awards and a Drama Desk nominee. He has designed for Usher’s Las Vegas Residency, Blue Man Group Tour, Big Apple Circus, The Rockettes, NY Knicks City Dancers, Diana Ross, Mariah Carey, Gloria Estefan and Wynton Marsalis. @esosafashion.

Carolina Ortiz Herrera (Lighting Designer) is thrilled to make her Broaway debut with Good Night, Oscar. Selective credits include: All’s Well That Ends Well (Oregon Shakespeare Festival); Born with Teeth (Alley & Guthrie Theatre); Everything Rises (BAM & Royce Hall); Native Gardens (Dallas Theater Center); Seven Guitars (Yale Repertory Theatre); American Mariachi (Arizona Theater Company); Doubt: A Parable, 4000 Miles (Westport Country Playhouse); Macbeth, Until the Flood (Merrimack Repertory Theatre); Yellowman, an Audelco Awards Best Lighting Design nominee (Billie Holiday Theatre); Florencia en el Amazonas (Shubert Theatre) and The Cunning Little Vixen (Opera Theatre of Yale). Graduate of Yale School of Drama. www.carolinaeortiz.com

B’way Credits Include: The Collaboration (Friedman Theater), A Christmas Carol (Featuring Jefferson Mays, Nederlander Theater); The Rose Tattoo (Starring Marisa Tomei, American Airlines Theater); Derren Brown: Secret (James Earl Jones Theater); Regina Spektor: Live On Broadway (Lunt-Fontanne Theater); Fun Home (TONY Nom., Circle in the Square); Junk (TONY Nom., Lincoln Center); Six Degrees of Separation (Featuring Allison Janney, Corey Hawkins, and John Benjamin Hickey); Deaf West’s Spring Awakening (TONY Nom., Lena Horne Theater); Fully Committed (Starring Jesse Tyler Ferguson); An Enemy of the People (Friedman Theater); Seminar (Starring Alan Rickman, The Golden Theater). www.benstanton.com

Andre Pluess (Sound Designer). Broadway credits include The Minutes (Cort/Studio 54); 33 Variations (Eugene O’Neill); I Am My Own Wife (Lyceum); and Metamorphoses (Circle in the Square). Off-Broadway credits include The Clean House (Lincoln Center); Milk Like Sugar and BFE (Playwrights Horizons). Regional credits include multiple productions with Chicago’s Goodman Theatre, Oregon Shakespeare Festival, McCarter Theatre; Center Theatre Group, Yale Repertory; Arena Stage; The Goodman, Steppenwolf, Chicago Shakespeare, Court Theatre, Berkeley Repertory, Williamstown Theatre Festival, La Jolla Playhouse, The Huntington, and South Coast Repertory. He’s received multiple Joseph Jefferson Awards; an Obie Citation, Ovation Award, Drama Critics Circle Award, Barrymore Award, Helen Hayes Award, Drama Desk and Lucille Lortel nominations for composition and design. He is an ensemble member of Lookingglass Theatre Company.

J. Jared Janas (Wig, hair & Make-Up Designer). Broadway credits include Sweeney Todd, Ohio State Murders, Kimberly Akimbo, & Juliet, Topdog/Underdog, American Buffalo, How I Learned to Drive, Jagged Little Pill; Frankie and Johnny in the Claire de Lune; Gettin’ the Band Back Together; Bandstand; Indecent; Sunset Boulevard; The Visit; The Real Thing; Lady Day at Emerson’s Bar & Grill; Motown; Peter and the Starcatcher; The Gershwin’s Porgy and Bess; and All About Me. Recent Off-Broadway credits include Between the Lines, Kimberly Akimbo; Seven Deadly Sins; Sing Street and Yours Unfaithfully (Mint Theatre, Drama Desk nomination). TV credits include “And Just Like That” and “The Gilded Age.”

Jacqueline E. Lawton (Dramaturg) is a playwright, dramaturg, producer, and racial equity facilitator. She is thrilled to be working on Doug Wright’s beautiful new play. Recent dramaturgy credits include Actors Theatre of Louisville, Arden Theater Company, Arena Stage, Denver Center for the Performing Arts, Ensemble Studio Theatre, Ford’s Theatre, Horizons Theatre, InterAct Theatre Company, Kennedy Center, Rorschach Theatre, Round House Theatre, the Stratford Festival, Theatre J, Virginia Stage Company, and Woolly Mammoth Theatre Company. She holds an MFA in Playwriting from UT-Austin. She is an associate professor in the Department of Dramatic Art at UNC-Chapel Hill and a dramaturg for PlayMakers Repertory Company.

Chris Fenwick (Music Supervisor) is the music director of the Broadway production of Kimberly Akimbo. He music supervised the Broadway revival of Once on This Island (Tony Award, Best Revival), and music directed the Public Theater’s production of Soft Power (Pulitzer finalist) and the Broadway revival of Sunday in the Park with George, starring Jake Gyllenhaal. He music directed the Public Theater and Broadway productions of Fun Home (Tony Award, Best Musical; Pulitzer finalist) and was music supervisor of the national tour and London production. He was the founding music director of City Center Encores! Off-Center. Chris music directed the original productions of Michael John LaChiusa’s Giant; Los Otros; Queen of the Mist and See What I Wanna See. He was the music director for Patti LuPone at Carnegie Hall and more. His film credits include Steven Spielberg’s “West Side Story”.

Broadway: Shucked; & Juliet; A Christmas Carol; Moulin Rouge!; 1776; Jagged Little Pill; Caroline, or Change; Trouble in Mind; The Play That Goes Wrong; Beautiful: The Carole King Musical; The Lifespan of a Fact; Once; Amelie; Sunday in the Park with George; On a Clear Day; Kiss Me, Kate; Toni Stone; She Loves Me; Holiday Inn; On the Twentieth Century; Violet; The Glass Menagerie; The Mystery of Edwin Drood; The Winslow Boy; Anything Goes and The Scottsboro Boys.